Will Ferrell and Julia Louis-Dreyfus Remade a Swedish Classic. Here’s How It Went Wrong.
The To All the Boys Sequel Is an Insult to Rom-Com Lovers
Bong Joon-ho’s Oscar Night Had All the Genre-Bending Twists of His Movies
Parasite’s Director Negged His Way to Best Picture
Parasite’s Oscar Wins Were a Landmark, but the Academy Is Still at War With Itself
The Academy’s Obsession With Long Takes Is Still Holding It Back
Parasite’s Victory Means It’s Time to Take the Oscars Seriously
What Twitter’s Smartest Critics and Funniest Comics Are Saying About the Oscars
How Scary Is The Lodge, “the Next Great Horror Movie”? Explained.
What Took Brad Pitt So Long to Have This Much Fun?
Birds of Prey Isn’t As Fantabulous or As Emancipated As It Thinks
Who Will Win at the 2020 Oscars, as Foretold by Ancient Prophecy of the End of Days
In the Absence Already Made History for Korea. Its Makers Hope Americans Learn From It, Too.
People Are Taking the Wrong Lessons From Contagion
From Violent Avengers to Pregnant Teens, Sundance’s Women Met Obstacles Head-On
The Russell Simmons Documentary Takes on the Racial Dimensions of #MeToo
Netflix’s Miss Americana Unveils a New Taylor Swift
What’s Fact and What’s Fiction in Togo
1917 Turns WWI Into a Tale of Individual Heroism. Give It the Oscar?
What’s Fact and What’s Fiction in Judy